However throughout this challenging time, a third entity has found itself in a fight for significance. The series is Ryan Reynold’s lifeblood, and he has spend the better part of the past ten years developing his persona around the character, in addition to playing Deadpool on screen. He said in his past deleted social media bio that he was “Introducing people to the version of myself that tested best in focus group” when it was ready. And it turns out that Deadpool was the Reynolds version that performed the best in tests.

           Wade is depressed when we first see him Deadpool and Wolverine. After his wife Vaneesha left him, he was turned down as an Avenger and resigned to a life of loneliness, he started working as a car salesman with his friend peter. These movies have always been somewhat autobiographical, but none more so than his one. In a manner each abuse made at Deadpool is inevitably directed at Reynold’s. Wade is aware that he is a by-product of the film industry. Before the surprising success of the first Deadpool movie catapulted him into the stratosphere, he had been at it for a while.

         Giving Wade a greater purpose in life—beyond, as he puts it, stealing money for sporadic mercenary jobs—takes up a significant portion of the film. He doesn't even consider himself a hero, which is why he enlists Wolverine's assistance in an attempt to preserve his universe and everyone he knows and loves in it out of a "learned wish." Dragged out of retirement, Hugh Jackman is the foil that Reynolds has needed so desperately in these last few years. Curiously, their tense chemistry works considerably better than the wall-to-wall ironic humor that both Deadpool and Reynolds.